The second Sex and the City movie, released in 2010, gifted us with many things: lavish Abu Dhabi locales, a glimpse into the complexities of long-term relationships, and, most memorably for many fashion-obsessed viewers, a divisive Louis Vuitton bag. This seemingly innocuous accessory ignited a firestorm of debate that continues to this day, splitting the world into two distinct camps: those who adore the bag and those who find it utterly abhorrent. This article delves into the enduring legacy of this particular Louis Vuitton piece, exploring its impact on the film, the broader context of the show's handbag history, and the ongoing conversation surrounding its aesthetic merit.
Let's Talk About That Infamous Louis Vuitton Bag
The bag in question is a Monogramouflage Speedy 30, a limited-edition collaboration between Louis Vuitton and artist Stephen Sprouse. It's a departure from the classic Louis Vuitton monogram, featuring a graffiti-style print on the iconic Speedy silhouette. This departure, however, is precisely what caused the controversy. While some lauded its bold, edgy take on a classic design, others criticized its jarring visual clash, deeming it an eyesore unworthy of Carrie Bradshaw's sophisticated style. The bag's appearance, gifted by Carrie to her assistant Louise (played by Jennifer Hudson), became a focal point, highlighting the film's exploration of class, taste, and the subjective nature of fashion.
Justice For Louise’s “Ugly” Louis Vuitton Bag
The gift of the Monogramouflage Speedy wasn't just a plot device; it served as a commentary on Carrie's character. While Carrie often flaunts designer labels, the gift to Louise, a character significantly less affluent, subtly revealed a potential blind spot in Carrie's understanding of true style and generosity. Some argue that the bag's "ugliness" was intentional, reflecting Carrie's own questionable taste at times and highlighting the fact that expensive doesn't always equate to stylish. The gift, therefore, became a symbol of Carrie's well-meaning but ultimately flawed attempt at generosity. It also sparked a wider conversation about the accessibility (or lack thereof) of luxury fashion and the pressure to conform to certain aesthetic standards. The "ugly" bag became a symbol of rebellion against those standards, an underdog championing individuality over conformity. The online discourse surrounding the bag often sees passionate arguments for "justice for Louise," arguing that the bag's perceived ugliness is merely a matter of personal preference, and that Louise, with her own unique style, could potentially rock it better than Carrie ever could.
Purses of Sex and the City: Where Are They Now?
The Louis Vuitton Speedy 30 isn't the only handbag to achieve iconic status in the Sex and the City universe. From Carrie's beloved Fendi Baguette to the various Manolo Blahniks that complemented her outfits, the show’s influence on handbag trends is undeniable. Many of these bags, including variations of the Speedy, have become highly collectible items. The show's influence on the luxury handbag market is still palpable; the "It" bag phenomenon owes a significant debt to Sex and the City's meticulous styling. Tracing the journey of these bags, from their on-screen appearances to their current market value, reveals a fascinating evolution of fashion trends and the enduring power of pop culture influence. Many dedicated fans and collectors continue to seek out replicas and vintage versions of the bags seen in the show, creating a vibrant secondary market. The question of where these bags "are now" extends beyond their physical location; it's a question of their cultural legacy and their ongoing impact on fashion.
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